The connected lives of Dutch punks: contesting subcultural boundaries
In: Palgrave studies in the history of subcultures and popular music
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In: Palgrave studies in the history of subcultures and popular music
In: Palgrave studies in the history of subculutres and popular music
This book is the first in-depth, ethnographic study of the Dutch punk scene. It questions the artificial boundaries of subcultural research, calling for a critical analysis of the distinctions drawn between subcultural and everyday lives, and between localised and globalised subcultures. The everyday experiences of punk are framed within the mobile and connected global subculture of which they are a part. It traces its emergence in the 1970s and its development through to 2010, with chapters that map Dutch punk historically and spatially. Further chapters explore the meanings and practices attached to punk by its participants before focusing in particular on the political affiliations of punks. This book argues for an approach to social research that recognises the 'messiness' and the 'connectedness' of punk and of the social world.--
In: Community development journal, Band 59, Heft 1, S. 1-7
ISSN: 1468-2656
In: Community development journal, Band 58, Heft 3, S. 363-372
ISSN: 1468-2656
In: Community development journal
ISSN: 1468-2656
In: Community development journal, Band 57, Heft 3, S. 391-398
ISSN: 1468-2656
In: Community development journal, Band 58, Heft 2, S. 181-187
ISSN: 1468-2656
In: Community development journal, Band 58, Heft 4, S. 589-594
ISSN: 1468-2656
In: Rethinking Community Development
How and why are arts and cultural practices meaningful to communities? Highlighting examples from Lebanon, Latin America, China, Ireland, India, Sri Lanka and beyond, this exciting book explores the relationship between the arts, culture and community development. Academics and practitioners from six continents discuss how diverse communities understand, re-imagine or seek to change personal, cultural, social, economic or political conditions while using the arts as their means and spaces of engagement. Investigating the theory and practice of 'cultural democracy', this book explores a range of aesthetic forms including song, music, muralism, theatre, dance, and circus arts